Random Wednesday

This is a classic for Latin America. Musically it’s not that special, Rap 101; but culturally it was a huge deal. Rap in Spanish had never in the mainstream like this; there’d been collaborations and experiments, there’d even been “rappers” and “rap groups” with certain fame. But this was the first time that the mainstream fully accepted Rap in the same way as Rock.

It was a hit throughout the Spanish speaking world—i.e it was accepted—but still showed an aesthetic that many people hadn’t seen—i.e. it was weird. It’s hard to explain … At the time, most people outside of Mexico thought of Control Machete as purely Mexican. And people in Mexico probably saw this as specifically a Northern thing (Monterrey). As the years pass, everything is subsumed into a label of “Latino” or whatever inclusive term is chosen, but Latin America has always been a very broad area full of conflicting cultures and contradictions. I’d have to go into a long discussion about history and class relations but the point is that this just seemed totally new, and that’s where its value lies. ¿Entiendes, Mendes?

• Control Machete – ¿Comprendes, Mendes?

Sample Tuesday

Nashom Wooden from “The Ones” died earlier this year but I just found out …

“Wooden was HIV-positive, though he had an undetectable viral load. On March 23, 2020, Wooden died at the age of 50 as a result of complications from a suspected case of COVID-19 in New York, in the midst of the COVID-19 pandemic in New York City.”

• The Ones – Flawless
• George Michael – Flawless (Go To The City)

Too Good Monday

Bears repeating: “Eminem is John Coltrane in a world of Kenny G. While some people don’t know the difference between those two, a lot of people still do.” — Lawrence Jr.

• Eminem – Gnat

Ain’t nothing you say could ever trump.
My pens will get killed.
If you’re hyper sensitive,
I wasn’t referencing the
vice-president,
chill.
My penmanship at times tends to get ill,
violence but with skill

[He rhymed ‘sensitive’ with ‘referencing’ and ‘vice-president’ …

‘my pens’ ⟶ ‘Mike Pence’,
‘my pens’ ⟶ ‘my penmanship’,
‘tends’ ⟶ ‘Pence’ ⟶ violence]

Random Wednesday

“The Boy’s Own at East Grinstead has been called by others ‘The best ever outdoor party of the Acid House era’. This track I remember playing as the sun came up around 5am and a flock of geese landed on the lake just by the tent we had pitched up … it’s seminal and surreal. Again, it’s an Ibiza pop anthem that summed up the scene in London in 1988.” — Terry Farley

• It’s Immaterial – Driving Away From Home (Jim’s Tune)

Too Good Monday

They say they never really miss you ’til you’re dead or you’re gone,
so on that note I’m leaving after this song.
See, you ain’t gotta feel no way about J; so long.
But at least let me tell you why I’m this way, hold on …

• Jay Z – December 4th

[Song not available on YouTube]

Future Thursday

Carlo Troja aka Don Carlos hails from Varese, in the North of Italy, and is active as a DJ from the late 70’s. He debuted as a producer towards the end of the 80’s with the single ‘Alone’ on Calypso Records (Irma), which became one of the cult tracks of the international Deep House scene.

• Don Carlos – Alone

He also reached the UK charts with the hit ‘You Make Me Feel’, sung by Byron Stingley, cover of the cult song by Sylvester. In 2000 he released a single on Erik Morillo’s Subliminal Soul label and played highly acclaimed gigs atMinistry of Sound and Turnmills in London. In 2002 he released his third album ‘Music in My Mind’ featuring top guest vocalists like Kim Mazelle, Michelle Weeks, Taka Boom and Kevin Bryant. Following two mixed compilations (‘Cafe De Paris Saint Tropez’ and ‘DJ Set’) in 2004 IRMA released a collection of his 90’s productions titled ‘Mediterraneo’, like his debut US album. After that a serious car accident kept him away from clubs and recording studio for several months. Finally back in shape he’s ready to release his fourth album ‘The Cool Deep’Deep’, 8 years since the previous one, which includes all the unreleased material produced during this time.

Sample Tuesday

“When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things.” — 1 Corinthians 13:11

• Ben Sims – Dollar Bill Y’all
• Love Committee – Pass The Buck (Tom Moulton Mix)
• JR Disco – Catch The Dollar (Original Mix)

Some slamming 1978 Disco HEAT from the Salsoul stable! ‘Pass The Buck’ is a very popular LP cut from the group’s sole long player ‘Law & Order’, naturally any Tom Moulton mix from that period is well worth your ears and your time if you consider yourself a Disco lover, the man’s hands were all over a ton of classics and he had the magic touch for real. ‘Pass The Buck’ has all the hallmarks of the bombastic ‘Philly Sound’, arranged by the legendary Ron ‘Have mercy’ Kersey and his team and mixed by Moulton, this blast of FUNK opens side B of said long player. Mysteriously never released as a 12″, this is one TM mix that really benefits from a nice loud pressing as it is presented here on this special RSD 19 12″ reissue. That’s not all, throw in a super, extended, cosmically overdubbed and tweaked re-edit from NYC’s master of such disciplines – Joe Claussell – and we’re talking some serious business, right Well, that’s what you get on this special limited release, the full 9+ minutes of Joe’s very special reinterpretation, this one’s all killer and no filler. Spiritual Discofied-Funk straight outta NYC for your enjoyment! Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records. Accept no imitations!

https://www.deejay.de/Love_Committee_Pass_The_Buck_SALSBMGRSD2019_Vinyl__352583

Random Wednesday

“Another night, in the tiny gym basement that changed UK clubbing forever, had come to an end and the lights were on. But the room was still full of sweat and steam, and when Danny Rampling revived this soul classic the whole crowd were holding each other, hands held aloft—E moments don’t come much better than that!” — Terry Farley

• Joyce Sims – Come into my life

Too Good Monday

The Father of Heavy Metal

“In his search for more volume, Dale and Leo Fender found out that the 10-watt amps just wouldn’t cut it after Dale blew several of them up. To remedy this problem, Fender created the first 85-watt transformer, which peaked at 100 watts.”

• Dick Dale – Nitro (Live on KEXP)

• Dick Dale – Misirlou (Live on KEXP)

https://www.fender.com/articles/artists/the-father-of-surf-7-essential-dick-dale-facts/

Remix Friday

I’ve never really liked most mainstream music.

You know, the kind that’s annoying at first listen and also offensive in that it’s constantly pushed as if it was interesting and new but it’s actually lacking in substance and a watered down version of something old (something good) … You know, that song/band/genre that doesn’t seem to go away for half of the year until some other annoying crap takes its place. You know, kids’ music …

But I’ve noticed a difference. When I was younger, there there were specific things I could point to to explain why I didn’t like a song/band/genre—e.g. Blink 182 are a bunch of wankers who need music videos and tattoos to make their music seem edgy because really they are not “punk”. But nowadays, I’m just speechless when I hear some of the shite they call music … I don’t know if it’s because I’m older—I’ve reached “that” age—or just because the world has gotten weird.

In any case, to the kids making EDM:

YOU’RE FUCKING CLUELESS

• Gerideau – Masquerade
• MJ Cole vocal mix
• B.O.P. Delicious Soul Mix