Random Wednesday

This is a classic for Latin America. Musically it’s not that special, Rap 101; but culturally it was a huge deal. Rap in Spanish had never in the mainstream like this; there’d been collaborations and experiments, there’d even been “rappers” and “rap groups” with certain fame. But this was the first time that the mainstream fully accepted Rap in the same way as Rock.

It was a hit throughout the Spanish speaking world—i.e it was accepted—but still showed an aesthetic that many people hadn’t seen—i.e. it was weird. It’s hard to explain … At the time, most people outside of Mexico thought of Control Machete as purely Mexican. And people in Mexico probably saw this as specifically a Northern thing (Monterrey). As the years pass, everything is subsumed into a label of “Latino” or whatever inclusive term is chosen, but Latin America has always been a very broad area full of conflicting cultures and contradictions. I’d have to go into a long discussion about history and class relations but the point is that this just seemed totally new, and that’s where its value lies. ¿Entiendes, Mendes?

• Control Machete – ¿Comprendes, Mendes?

Random Wednesday

“The Boy’s Own at East Grinstead has been called by others ‘The best ever outdoor party of the Acid House era’. This track I remember playing as the sun came up around 5am and a flock of geese landed on the lake just by the tent we had pitched up … it’s seminal and surreal. Again, it’s an Ibiza pop anthem that summed up the scene in London in 1988.” — Terry Farley

• It’s Immaterial – Driving Away From Home (Jim’s Tune)

Random Wednesday

“Another night, in the tiny gym basement that changed UK clubbing forever, had come to an end and the lights were on. But the room was still full of sweat and steam, and when Danny Rampling revived this soul classic the whole crowd were holding each other, hands held aloft—E moments don’t come much better than that!” — Terry Farley

• Joyce Sims – Come into my life